芳心封鎖5.0

《芳心封鎖》上映于1969  年，是一部美国制片出品，由Gila Almagor  等主演的剧情 ，对白语言为英语。

《芳心封鎖》剧情简介：The issue of  War widow  represen tation  in Israeli ci nema is one of the m ost complex for the local industry for it seems to  be unique and with  a very local and spec ific iconogr aphy. The  war Widow  is a difficu lt character to dige st. Beca use this is an esp ecially painfu l topic in Israel,  its mode  of representati on is almos t always proble matic. Gila Almagor in T ofano&#3 9;s &am p;quot;s iege&quo t; is one  of the first  characters of  the &am p;quot;m odern&quot ; war widows  to appear o n Israeli cin ema screen s. The h uman and soci al comp lexity of the s tatus of widow s was not repr esented adequat ely and  personall y until her com plex and fin e appearance  in this film. It was mostly Prece ded by clic hes of heroic women wh o have sacrifi ced for the nation  with charact ers to whi ch it was v ery diffi cult to get a ttached, n or to th eir persona l grief. &a mp;quot;Sie ge&qu ot; was directed by an unknow n Italian d irector of that period.  Although Gilber to Tofano wa s brought as a profess ional director on the wings  of insp iration ma de by the Fre nch New Wave of thos e years,  he managed to  turn out a very exciti ng work wh ich has ca ught the Isr aeli warmth and sense o f social siege  which surro unds the Isr aeli widows, i ncludin g the great exp ectation s from  them and the so cial stigmas . Tofano wrap ped his le ading lady w ith lots of warmth an d gave a  place of h onor to Alma gor&#39 ;s impress ive presence  in the film.  This is witho ut a do ubt one  of Almagor& #39;s be st and most ac curate p erformances. Th e restrai nt in her  performance plus the s hooting and  expressive use  of angle s by Tofano an d his so ft Europ ean touc h which was far off fro m the aggr essive l ocal product  managed to produce  a sense of d ocumenting an a uthentic t ragedy w ith a t angible pe rsonal t ouch that minimi zed the natio nal dimension. The result  stands the te st of time pr oudly seve ral deca des after its creation. 　　The issue  of War widow  representation in Isra eli cin ema is  one of t he most c omplex f or the lo cal i